As long as people have been telling stories, crones(丑陋的老太婆)have been scaring the wits out of children. "Nags(怨妇),witches, evil stepmothers, cannibals(食人妇). It's quite dreadful," says Maria Tatar, who teaches a course on folklore and mythology at Harvard. "But old women are also powerful—they're often the ones who can work magic." In the Disney film Snow White, there's a scene in which the beautiful, charming, wicked queen turns into an old hag and poisons Snow White so she'll sleep forever. The old lady in Hansel and Gretel wants to roast children in her oven and the witch in The Little Mermaid cuts out Ariel's tongue.
Tatar says old women villains (恶人)are especially scary because，historically, the most powerful person in a child's life was the mother. "Children do have a way of splitting the mother figure into...the evil mother—who's always making rules and regulations, policing your behavior, getting angry at you—and then the kind mother—the one who is giving and protects you, makes sure that you survive."
Veronique Tadjo, a writer who grew up in the Ivory Coast, thinks there's a fear of female power in general. She says a common figure in African folk tales is the old witch who destroys people's souls. Still, they're not all bitter and evil hags. Elderly women in folk tales often use their knowledge and experience of the world to guide the troubled protagonist(主人公). Tadjo points to the Kenyan story Marwe In The Underworld about a girl who commits suicide by drowning herself and enters the Land of the Dead where she meets an old woman. "That old woman teaches her quite a lot of things," Tadjo says. "And also, when Marwe starts longing for the world of the living, she helps her go back to the surface with a lot of riches. And we understand that Marwe has been rewarded for her goodness." In other words: Do your chores and you'll be rewarded. The point of these ancient tales, no matter what continent they come from, may have been to scare children into behaving.
Perhaps the scariest old woman character—the ugly Baba Yaga—comes from Russia. She's bony with a hooked nose and long, iron teeth. Her hut(小屋)stands on chicken legs and she kidnaps children and eats them. Safe to say Baba Yaga has been making Eastern European children sleepless for centuries. In one interpretation, a mean stepmother sends the young girl Vasilisa to Baba Yaga's hut in the woods to get a candle. The girl is sure she's being sent to her death. Baba Yaga forces her to cook and clean, and Vasilisa does everything she's told. In the end, the old crone gives her what she needs and sends her home. "You see this kind of double face of the hag,"Maria Tatar says. "On the one hand: aggressive, threatening. And on the other hand: sometimes to make sure that there is a happily ever after."
There's that power again. In Japanese folklore, the Yama Uba(山姥)is an equally ambiguous old woman. She's a mountain witch who, like Baba Yaga, lures people into her hut and eats them. But she'll also help a lost traveler. Noriko Reider is a professor at Miami University of Ohio who's done extensive research on Yama Uba stories. "She brings fortune and happiness," Reider says. "She can also bring death and destruction for those who are not very good."
According to Cuban-American writer Alma Flor Ada, in Hispanic(拉美地区的)culture old women are multi-talented. Ada is co-author of Tales Our Grandmas Told, which includes a story about Caliph's son who becomes seriously ill. After "all of the best physicians in the land" fail to cure him, Caliph sends his messengers searching for help. Then one morning, an old woman arrives with this advice: To get well, the prince must wear the overcoat of a man who is truly happy. And of course it works.
