In 1954, Eleanor - my grandma - in great need of income, walked into the Harvard Museum of Comparative Zoology. There she convinced some of the greatest scientists that she was the perfect person for their ant collection.
As a teenager, Eleanor spent hours wandering around the halls of the American Museum of Natural History in New York, flipping through gift shop books about insect mounting(固定于载片上). But that was all her experience in the field.
During her job interview at Harvard, when Philip Darlington, an influential zoologist at that time, asked Eleanor about her specialty, she replied, "Oh, I like everything. "
"He probably realized right then that I have nothing special," she says. She once worked in a hardware store in New York, and she had no typing skills to be a secretary. She had dropped out of the Tyler School of Fine Arts to marry. But that artistic background was a selling point for the Harvard Job, and she was hired on the spot.
Now artistic background are common for researchers. At that time, however, hiring a woman who had dropped out of art school was certainly a risk. It paid off, Eleanor's job as a technician required the same quality that art school had demanded. She began each day at the museum mixing glue(胶水). Then she pulled the dead ants from the containers and set them out to dry. Some ants were small-barely 3 millimeters long-requiring patience and a careful hand. Eleanor needed to fix the ant bodies with a spot of glue and write a label for each of them.
The job required her to work quickly, yet correctly. "The average person never really hears about the expertise and the effort that goes into it. " said Wilson, an expert at the Museum. Rushing would risk ruining a rare specimen (标本), but Eleanor could process ants as quickly and many as 200 a day. Wilson said that she was the best technician who ever worked for him.
