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  • 1. (2023高二下·合肥期末)  阅读理解

    Inside а tiny shop in Manchester Adam Birce carefully carves at а woodblock. He looks carefully at each piece to ensure they fit and match before gently setting them together. Adam Birce, the owner of Four Strings, restores stringed instruments like violins and his passion is in restoring and appreciating what has already been crafted and loved.

    Birce started playing the violin in grade school and grew to truly appreciate it. He played semiprofessionally out of high school and later got his degree in music at Virginia Commonwealth University as a violinist. After graduating, he landed a job selling violins. "As fate would have it, I was asked by my employer to learn to fix violins 15 years ago," he says. "I soon moved off on my own to do restoration." Since 2014, he's been on a mission with Four Strings to provide excellent fine-instrument restoration for the commonwealth.

    Violin restoration isn't a self-taught skill. Each summer for the past decade, Birce has traveled to the Massachusetts College of Liberal Arts for up to two weeks to study under famous violin restoration expert Hans J. Nebel. Here, students learn everything from delicate edging repair to violin identification. "A lot of the work itself is learning as you go," Birce says. "It's a lot of problem-solving and critical thinking, like coming up with a woodworking context."

    How long а job takes varies. "Most are about 3-6 months for major work, unless a full top-to-bottom restoration is needed, which can take even longer," Birce explains. "I leave that up to the client if they want to commit to that." One of his longest jobs was working on a Scottish violin from the early 1800s that had been water-damaged. "I had to use every skill in my toolbox to fix it," Birce laughingly recalls. "It was a very onerous job."

    If there's one thing to be learned from Birce's passion, it's that each violin is unique in its own right. He compares the fine instruments market to the fine arts market. "A lot of these instruments are fine art," he says. "I kind of say this is a Picasso I'm playing or a Degas. I've worked on a few, which is always a joy."

    1. (1) What does the author think of violin restoration?
      A . It's effortless. B . It's self-taught. C . It's boring. D . It's highly professional.
    2. (2) What mainly determines the time spent on restoring a violin?
      A . How powerful the tools are. B . Its condition and the client's needs. C . What material it's made of. D . Its client's pay for the restorer.
    3. (3) Which of the following best explains "onerous" underlined in paragraph 4?
      A . Abnormal. B . Enjoyable. C . Encouraging. D . Demanding.
    4. (4) What does the last paragraph intend to show?
      A . Birce's passion for art. B . Birce's impact on the market. C . Birce's feelings about the job. D . Birce's advice on violin restoration.

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